I've always smiled when I read this exchange from James Meyer's 2001 interview with Anne Truitt:
JM: People often try to connect the artist's life and work In obvious ways: They refract the art through the lens of biography. I can already see a reading that goes like this: "Truitt, living in Washington at the height of the Cold War"--Also true: Truitt's best friend was JFK's mistress, who was murdered; her kids attended preschool at the White House; and her friends--and possibly/probably her Washington Post/Newsweek executive husband--were in the CIA.AT: I'm just agog with interest at what you're going to say--
JM: --"devised an abstraction that sought to escape, and yet expressed, US Imperialist power." I'm thinking of the old reading of Abstract Expressionism's manipulation by the US Information Agency to represent an American ideology of "freedom."
AT: That's true.
Grand Allusion: James Meyer talks with Anne Truitt [artforum 2002]
