How To Make A Biennale Pavilion Architectural Intervention

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MOS, of the PS1's woolly mammoth carcass MOSes, is one of seven architecture firms and collaboratives included in "Workshopping: an American Model for Architectural Practice," at the Venice Architecture Biennale. The exhibit is curated by Michael Rooks of the High Museum and Jonathan Solomon of 306090.

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The idea is to creat a canopy of spherical Mylar weather balloons in the courtyard of the US Pavilion. From MOS's project text:

if you've seen the structure, i'm sure you're wondering, 'why is it made out of helium balloons, why does it make a canopy, why is there seating, etc... is it referencing other projects? is it analogical? is it utopian? is it micro-? is it urban? is it domestic, what is it? is this even architecture?' (unfortunately, we can't answer that last question. this type of project is like diet-architecture, a copy without the calories. it's got a sort of bitter aftertaste that you might grow accustomed to, or you might not. that's ok. we like fake architecture.)

we've been wondering, what kind of architecture would haruki murakami make? well, when we finally write our text we would definitely tell you that it does, indeed, mean something and it does reference things, but why would you really want to know all of that anyway? do you really think it would make it better? I mean, what about just enjoying this weird artifice, this fake social space? hey, it wiggles. look at this strange alternate environment made of reflections and repetitions. enjoy the visual noise. have you ever seen N.A.S.A.'s echo project? google it. what can we say, we just love the aesthetics of radar reflectors and inflated satellites. they are of another reality. seriously, even if we wanted to fully explain it to you at this very moment, we couldn't. even though we're trying not to be, we're only human. also, they need this text before we've finished the design. did we mention that we are working with the son of andy warhol's 'silver clouds' fabricator? we're very excited about this. he lives in duluth. [emphasis added because, well]

So just Google, aesthetics, and a flip three degrees of Andy Warhol reference and voila, instant pavilion! I can't wait to see what their actual text is. The exhibition opens Thursday.

MOS, Instant Untitled [designboom, thanks john]
Workshopping.us [workshopping.us]

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

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first published: August 24, 2010.

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