Process Color Street View

streetview_color_sep_9eyes.jpg

I kid about Jon Rafman, but it's out of love. Just check out this incredible pano of BF wherever stitched together from different CMYK separations. It could be a Rauschenberg or something. By which I mean it'd make a great painting or print.

And which is kind of what caught me up about it; I'm sure it's just some automatic step in the Street View imaging process, but I always associate CMYK with print output, not screen. Maybe someone who knows this stuff better can explain the advantages of converting RGB to CMYK for images that are presumably never intended to leave the digital world.

2/12 update: thanks to a Guardian slideshow of 9-eyes, we now know this was shot on CM-4009, north of Polan, Spain. It also appears to be the effect of a wonky rear-facing camera. Similar spectral striations appear all along the road, interspersed with a patch of b/w or desaturated imagery knitted into the pano, which I assume isolates the effect to a single camera. The CCD striations contrast nicely though with the occasional appearance of their optical equivalents: old-school lens flares from the sun. Ironically, the particularly awesome glitch Rafnan highlighted seems to have been removed or reprocessed. Another reminder that Google is watching the watchers.


Previously:
Google Street View's shiny balls
Google Lens Cap View
Walking Men, or the Google Street View Trike has a posse--who delete images of themselves when they're published on blogs

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: April 8, 2011.

next older post:
The Satelloons Of Buckminster Fuller

next newer post:
This Week In Awkward Twitter Juxtapositions

recent projects, &c.


our_guernica_cycle_ivanka_320px_thumb.jpg
Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017


pm_social_medium_recent_proj_160x124.jpg
Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

madf_twitter_avatar.jpg
Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

chop_shop_at_springbreak
Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016

do_not_bid_or_buy_iris_sidebar.jpg
eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

shanzhai_gursky_mb_thumb.jpg
It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

therealhennessy_tweet_sidebar.jpg
TheRealHennessy Tweets Paintings, 2014 -
about

sop_red_gregorg.jpg
Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

weeksville_echo_sidebar.jpg
"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


drp_04_gregorg_sidebar.jpg
Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

czrpyr_blogads.jpg
Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

archives