Let’s get one thing out of the way first: I’m a Diet Coke guy. The very fact that The Pepsi Generation existed in 1970 should blow a hole in their brand’s supposed youthy credibility big enough to drive a 90-foot mirrored dome though. Oh, and what do we have here?
Holy freakin’ crap, why has no one told me The Pepsi Pavilion at the 1970 World Expo in Osaka was an origami rendition of a geodesic dome; obscured in a giant mist cloud produced by an all-encompassing capillary net; surrounded by Robert Breer’s motorized, minimalist pod sculptures; entered through an audio-responsive, 4-color laser show–yes, using actual, frickin’ lasers– and culminating in a 90-foot mirrored mylar dome, which hosted concerts, happenings, and some 2 million slightly disoriented Japanese visitors?
And that large chunks of it were conceived, developed, and programmed by E.A.T., Experiments in Art and Technology, the pioneering art/engineering collaborate founded by [among others] Robert Rauschenberg and Bell Labs’ Billy Kluver? And that the four artists working with Kluver–Breer, Frosty Myers, Robert Whitman, and David Tudor–had planned months of even freakier happenings for the Pavilion, but the Pepsi gave them the boot for being too freaky–and for going significantly over budget? Still.
The least you could’ve done is tell me that Raven Industries made a full-size replica of the Pavilion out of Mylar and test-inflated it in a disused blimp hangar in Santa Ana, CA? Apparently, all it took was a 1/1,000th of an atmosphere difference in air pressure to keep the mirror inflated within the outer structure.
Because, of course, you know that Kluver was the guy at Bell Labs who helped Warhol with his seminal “Silver Flotations” exhibit in 1966 [seen here in Willard Maas’s film poem on Ubu]. And Bell Labs was involved in Project Echo, which launched and tracked two gigantic mylar spheres, satelloons, a couple of years earlier. Which makes the Pavilion’s similarities to the satellite below purely non-coincidental.
Which means that after recreating these two, earliest NASA missions as art projects, I’ll have to recreate the Pepsi Pavilion, too.
I’ve ordered by copy of Kluver et al’s dense-sounding 1972 catalogue, Pavilion and expect to be revisiting this topic in some depth within 5-7 business days. Meanwhile, if there are any other giant, mylar spheres of tremendous-yet-overlooked artistic and historical importance lurking out there, now’s your chance to come clean.
E.A.T. – Experiments in Art and Technology «Pepsi Pavilion for the Expo ’70» [mediaartnet.org]
Previously: Must. Find. The Satelloons Of Project Echo
D’oh, or else I must make the satelloons of Project Echo, which would mean I’m an artist, freak, or both
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the making of, by greg allen