Ed Halter has a interesting take on how two Iraq documentaries may rehabilitate the image of the much-criticized embedding process as a means for creating accurate historical documents of the war. [Of course, that that's not at all how it worked out with the TV news embeds is also just fine with the Pentagon.]

Gunner Palace's making-of experience is better known now, although Tucker has been rather specific in saying he and his crew were not officially embedded with the military unit they covered.

Ian Olds' and Garrett Scott's crew for Occupation: Dreamland, however, was embedded with a unit in Fallujah; it was just slacker oversight because of the timing and the distance from Baghdad's bureaucracy. Anyway, two Dreamland-related quotes jump out at me:

the film slogs through time alongside them, in resolute vÈritÈ scenes of you-are-there surrealism.


"When we looked at what we shot," Olds recalls, "we realized that it looked like anything from the news, if you just took one moment at a time. So making the documentary was really this process of creating a context. Because the images we had were essentially the same images, but they played out longer, so you were given the context, and you knew the people involved. And all of a sudden, it seems like something that you've never seen."

Over There: Documentarians bring the real war back home [vv]
Occupation: Dreamland screens next week at SXSW []

Since 2001 here at, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting that time.

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greg [at] greg [dot ] org

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first published: March 8, 2005.

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Our Guernica Cycle, 2017 –
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Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
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Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
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Chop Shop
curated by Magda Sawon
1-7 March 2016

eBay Test Listings
Armory – ABMB 2015
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It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
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TheRealHennessy Tweets Paintings, 2014 -

Standard Operating Procedure
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CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
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"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
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HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.

Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

Canal Zone Richard
Selected Court Documents
from Cariou v. Prince (2011)
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