Let me tell you, spare, door-sized black & white prints in screen-like triptychs are not what I think of when I hear “Carlo Mollino” and “photography.” [Google search possibly nsfw]
But Becky Beasley’s show “The Outside,” at Francesca Minini in Milan, is just that, an austere yet decorative-looking exploration of Mollino’s treatment of photography and public/private space. In a good, specific, abstract way, it looks positively Quaytman-esque.
Becky Beasley’s “The Outside” runs through Jan. 14, 2012 [art-agenda.com]
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the making of, by greg allen