If you’re ever wondering how hard it is to see something that’s been right in front of your face all along–even if you knew the details and the discrepancies–this entry is from the chronology Joan Young prepared with Susan Davidson for Walter Hopps’ 1997 Robert Rauschenberg retrospective:
With Johns as partner, forms Matson Jones–Custom Display; “Matson” is Rauschenberg’s mother’s maiden name and “Jones” stands for Johns.
So together they were Matson Jones.
10 MINUTES LATER UPDATE: SFMOMA has a new recap of the Matson Jones era from none other than Richard Meyer [Outlaw Representation ftw] . In a 2018 essay about scholarly dismissal of or disdain for their relationship, this sentence makes an unusual effort to say yes, Bob & Jap were “family,” but only distantly related: “’Matson’ was the maiden name of Rauschenberg’s maternal grandmother, and ‘Jones’ is a phonic near cousin to ‘Johns.’” How about homophonic kissing cousins, at least?
Also, I guess after tracking decades of academic and critical avoidance and differentiation, from Alan Solomon onward, I also completely disagree with Meyer’s first sentence: “The intensity of the creative dialogue between Robert Rauschenberg and Jasper Johns in the 1950s has long been recognized by scholars, critics, and curators.”
But I do look forward to that first two-man show. And don’t get me started with Cy.