“Damn you!” campaign results (source: Google Adwords)
The low number of searches/impressions for Varda and Maysles was surprising, as was the high rate (2x) of Wes Anderson searches vs PT Anderson and Soderbergh. And this was a week when PT Anderson had a movie debuting at Cannes. It could be that the high quality of search results for Soderbergh and PT Anderson (both of which lead with eponymous and actively updated fansites, Soderbergh.net and PTAnderson.com, respectively) may lead to faster search “resolution” than for Wes.
The ads were generally effective, with clickthrough rates falling within–and in some cases, on the high end of– ranges reported for online ads.
It is heartening to see that the two directors who inspired me most have the highest clickthrough rates. The “greg.org factor” is a subjective ranking of “most inspirational,” I guess. To date, both Varda and Soderbergh have three explicit mentions/discussions on the site. Varda was an inspiration to get going, and Soderbergh was critical to getting through production and editing. Maysles is hugely important, too, but frankly, more for the documentary project that launched the site than for Souvenir. The Magnificent Andersons are inspiring more for their ability to pursue and realize their singular visions at such an early stage in their careers. (Some people call that ability “final cut,” like in Guardian interview with Paul Thomas Anderson aboutMagnolia.) (Oh, and we called straight-on, centered, camera angles “Andersons” after Full Frontal, which has it’s own behind-the-cameras website. (Although it’s not in real time; the film’s sliding release date means that “Week 3” lasts for months on the site.) Interesting to you? Interesting to me.
The greg.org “Damn you!” ad campaign on Google is just about half-over, and the results are rather interesting. (The launch is mentioned in this post.)
The campaign appears on searches for the names of directors who inspired/influenced me, either stylistically or professionally (or both). Since all these directors have turned up here during the making of Souvenir November 2001, I figured ads using their names wouldn’t be gratuituous, but relevant. In addition, I figured someone who searches for a director’s name (especially one of these directors) would be a nice audience for the site and the movie; they’re presumably interested not only in independent film, but in the filmmaking process, too. And if we share interest in these directors specifically, well… Here’s an example of the ads:
Damn you, Wes Anderson!
You made me want to make a movie,
so I did. click to read about it.
I spent $10 for each name/ad combination, which, bought about 7-800 impressions (at the retail $15CPM). With this spending cap, the duration of each ad was determined by the frequency of Google searches for each director’s name. Next: results data and analysis for the campaign.