Nocturne

Whistler-Nocturne_in_black_and_gold_DIA.jpg

I basically never do this, but now I had to.

I dreamt it was a new Cady Noland piece. It involved a boat ride and possibly a flume or course of some kind. There was some line of people trying to figure out how to get into these pedalboats with six seats, seatbacks cut and folded into place, like kirigami, from a single sheet.

Someone who knew the deal motioned to me to come over onto a two-person kayak/kneeboard which was easier to maneuver because you paddled. she looked like a younger Mary Boone, though it was definitely not her, in a straight sleeveless dress and flats she didn't want to get wet, so I went to get a couple more towels. She already had one under her knees and folded up onto her lap.

The towels were yellow and black Versace Home, but not so gigantic. I walked back up from the shore to where the towel attendants were, wondering if they'd even have more towels [because Versace], and they had stacks and stacks of them, it was an insane volume of towels.

A blackboard sign was perched on top of the leftmost towel tower, too creatively handwritten like a coffeeshop greeting:

BE DIVAS AND RIP OFF OUR TOWELS AND WE WILL COME AT YOU FOR $500 EACH

Maybe it was the vivid memory of this sign that prompted me to write this down.

I got a couple more towels and took them back down to the beach/shore, and not-Mary was already gone. The befuddled line of people trying to get on the pedalboats was not making much progress.

The setting was very clear, light, sand-colored shore, and darkened water and sky, but it didn't feel like night. I tried to recall a painting that might correspond to the setting, and the closest I can get right now is Whistler's Nocturne in Black and Gold: The Falling Rocket from the Detroit Institute of Art [above]. Maybe the title somehow informed the towels, is that how it works? I don't know. I might need to feed this into Google DeepDreams when I get home.

It shouldn't need to be pointed out, but I will anyway, that Ms. Noland was not involved in the conceiving of this piece and did not approve it.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

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first published: July 2, 2015.

next older post:
Why Wasn't Cady Consulted?

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OTD: OG Cady Noland At Luhring Augustine Hetzler

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