There is beauty in this painting. But the beauty is not what makes you love it.
It’s the emotion of what it says, in very simple means about life. And where we all go.
I don’t know why I get chills from Tobias Meyer’s little promo video for Silver Car Crash (Double Disaster), but here we are.
I matched the audio to Michelle V. Agin’s photo from the Times this morning.
And then after reading Ian Bogost’s McRib essay again, I realized it was the most persuasive explanation I’ve seen of Auction Week. So
untitled (where we all go)
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the making of, by greg allen