In what has apparently become an annual feature here on greg.org, I present Rare And/Or Unique Buckminster Fuller Objets. This time last year, it was the Perspex prism chandelier Fuller [had] made as a wedding gift for Princess Margaret. The 2nd item:
A rare, early model of the Dymaxion vehicle, circa 1932, carved by Isamu Noguchi and painted by Fuller. Fuller and Noguchi had met in New York, and began working together on the Dymaxion House. The Vehicle, which was to be a car/plane/whatever eventually followed.
The model had been published many times over the years, but until very recently, it was believed to be lost. Neither the 2006 Noguchi Museum exhibition, “Best of Friends” nor the Whitney’s recent Fuller retrospective are mentioned in the model’s Sotheby’s exhibition history, so I suspect their publicity helped flush it out of hiding. Which makes it a recent discovery indeed.
Important 20th Century Design, Dec. 18, 2008, Sotheby’s New York
LOT 145: R. BUCKMINSTER FULLER AND ISAMU NOGUCHI
AN IMPORTANT AND RARE “DYMAXION” CAR MODEL, est. 40,000–60,000 USD [sothebys]
update: it sold for $92,500.
Category: etc.
Costco
So we go to Costco for lunch and formula Friday, my dad, the kids and I, and it’s a flatscreen frenzy. Like Rodney King-grade looting frenzy; every cart has a flatscreen and a bale of toilet paper, and I’m like, I have a flatscreen I don’t even watch, and yet I want another one. I couldn’t fit that box in the car, and I still want one. My dad and his wife bought the biggest flatscreen in the Triangle last spring, and I can see he wants one, too.
The kid’s sitting in the cart, and she sees a guy carrying a 19″ flatscreen, and she goes, “Look! He has a tiny one!” and the guy looks at her, looks at the box–I’m not making this up, my dad told me; he was investigating the flatscreen aisle while I was in the bathroom–and goes and puts it back, and picks up a 23″ flatscreen.
So I go over to the palettes of Vizio 37″ and 42″ screens, and they are indeed rather low-priced: like $599. And so I turn to the guy with two 42’s in his cart who’s helping a woman put a 37 in her cart, “What’s going on?” And he’s all, “I’ve got two.” “But is there a special?” And he rustles through a Costco mailer of some kind, trying to show me the $100 off while supplies last! coupon, and he finally just says, “It’s another $100 off today,” and points at the $599 sign, “so it’s like $400!”
Seriously not needing anymore flatscreens, and being of such an age and technological sophistication that I only buy flatscreens that pass the, “But how does it look if I drop 250,000 rubber balls down a San Francisco hill?” test, I decide I’m not going to spend a thousand dollars on three flatscreens from Kirkland or whoever, we go buy an entire office partyful of Brie instead, a 550g wheel which, embarrassingly, is almost gone not 4.5 days later.
But here’s the thing about buying a 3lb jar of Skippy [1] peanut butter. No one has a knife long enough to reach the bottom, and you can’t just toss it out and open the other 3lb jar it was shrinkwrapped together with, because a) there’s like a depression or something in the news, b) why go all the way to Costco to save 50 cents on a year’s supply of peanut butter if you’re just going to toss it, and c) in fact, that blob down there is actually like half a regular jar from the deli; it only looks like a small amount because it’s at the bottom of a peanut butter bucket.
Wait, so the knife. No knife that can reach the bottom, so you have to stick your hand in there, and you get peanut butter all over your knuckles, because it’s not like you are actually going to get a rubber spatula out–you’re not baking a cake here, just making a breakfast snack–to make a freaking PBJ, which you’ve already psyched yourself into, so you don’t want to screw it and open the microwave-sized box stuffed with the pillow-sized bags of Honey Nut Cheerios instead. And now that you think about it–i.e., right after you centrifuge and shake and coax the last splurge out–why don’t they have squeezable half-gallon size bottles of Welch’s grape jelly? Not that you have any room in the fridge, unless you finally get rid of that almost-full gallon of lingonberry juice concentrate, like you’d ever be away from Ikea long enough to actually develop a lingonberry jones.
[1] whoops, it was Jif.
To Shop: Reference Library @ Kiosk, Nov. 28 – Dec. 7
If you shop at only one blogger-curated pop-up store this holiday season, make it Andy Beach’s Reference Library Mini-Exhibition at Kiosk in SoHo.
Despite his fame as a retail artist/design guru/dad/ex-DT guest blogger is probably best known for his invention of the “things I didn’t win on eBay” tag.
Among the dozens of items on sale starting tonight through Dec. 7th: select vintage finds that Andy did win; stuff for kids; union-printed posters; art; and custom manufactured limited editions by artisans around the world.
Kiosk Mini-Exhibition #8: Reference Library [referencelibrary]
Kiosk main page [kioskkiosk.com]
Star Wars Toasted, With Extra Cheese
I know there’s really no other way for Lucas & co to justify the existence of a Darth Vader Toaster than to just embrace the idiocy and hang on for dear life, but still. Holy smokes:
If there’s something every Sith Lord knows how to do it’s make a balanced breakfast. While the Jedi have to live off of Jawa juice and fried nerfsteak, the Dark Lord of the Sith prefers to have a reminder of his fiery Mustafar defeat at his breakfast table. Every morning he burns that moment into a slice of bread with the Darth Vader Toaster. This black, ominous kitchen appliance easily leaves the mark of Vader’s helmet in every yummy piece of toast. Slather some Bantha butter on top, or make two pieces for an extra-Sithy BLT. Force power not required to operate toaster.
I imagine the $48/toaster gross margin helps ease the conscience as well.
Darth Vader Toaster, $54.99, pre-order for Jan. 2009 delivery [starwars.com via c-monster]
You Better Hold On, Meet You In Tompkins Square
In 1988, a police riot broke out at Tompkins Square Park in the East Village. Police beat, among others, people defying a 1 AM curfew imposed by Mayor Ed Koch in an attempt to curtail, among other things, late night music performances.
Last night, twenty years later, the residents of St. Marks and Avenue A had their sleep disrupted once again by an impromptu performance at 2 in the freakin’ morning. Fortunately, the incident was caught on tape. [via sullivan]
I Shouldn’t Have Said Anything.
This morning I was buying a Diet Coke at the gas station, which forced the lady to get up from her chair by the radio.
“Arlo Guthrie! I didn’t even know he was still alive!”
“Really! You know who I’m always amazed to hear is still alive,” I said, trying to match both the tenacious age and the names’ quirkiness and rhythm as closely as possible: “Studs Terkel.”
Studs Terkel dies [chicagotribune]
Studs spoke at the Printers Row Book Fair in June [chicagopublicradio.org]
I Love Paris In The Quarries
Spectacular. ITV took an underground tour of Paris with l’UX and the folks from Untergunther. They started in the sewer, went deeper into the quarries that provided the stones from which medieval Paris was built, and ended up–well, I’ll let you see yourself where they watched the sunrise from. [thanks for the tip, lazar!]
previous explorations of the explorateurs urbains of l’UX, Untergunther, and la Mexicaine de Perforation from greg.org
Citroen 2CV x Hermes Mashup
It’s like unfinished project night around here. Hermes unveiled its reskinned a 1989 Citroen 2CV6 Special at the Paris Auto Show to commemorate the 60th anniversary of the Deux Chevaux. Not that anyone needs a reason to luxe out a 2CV, of course.
All the plastic dash and door panel elements have been outfitted in stitched Hermes leather; the rubberized roof has been replaced with Hermes canvas, and the seats–which are removable, remember, and could thus be used in a pinch as picnic or beach furniture–were recovered in leather and canvas. The whole thing was given a paint job that probably cost as much as the donor car itself.
This is pretty close to what I planned to do when I bought my 2CV Charleston in 1995. At the time, I was a pretty heavy Ghurka customer, and I had become friends with the executives and owners of the Connecticut-based company. They had just begun a furniture upholstery sideline a couple of years before, so they were pretty amenable to my request to redo my 2CV seats in Ghurka saddle leather. Rather than bring the seats–or the car–from France to Connecticut, we figured it’d be easier to ship the hides to an upholsterer in France.
Which is where the project died. Ride-pimping culture was not too prevalent along the Cote d’Azur. The carrosserie folks I contacted in Monaco were extremely uninterested in working on an insignificantly scaled project on a dumpy little car like a 2CV. But the Citroenistes were even worse. “No. A Charleston seat is grey, quilted tissu,” said the indignant Citroen upholstery specialist when I asked him about recovering my seats.
So I kept the seats I had, but I added a bamboo sunshade on the roof, which, I’ll point out, the Hermes 2CV does not have.
Paris 2008: Citroen 2CV6 by Hermes [autoblog]
Looks Like I Picked The Wrong Week To Give Up Fashion, Uh, Week
From the AP Bureau in Utterly Incongruoustan:
Paris designers defy economic woes
Filed at 11:34 p.m. ET
PARIS (AP) — As retail stocks plunged on Monday, Paris designers came up with antidotes to the economic blues plaguing the luxury industry.
British designer John Galliano tapped tribal influences in his ready-to-wear show for Christian Dior. Yohji Yamamoto created a haven for Zen contemplation, while Vivienne Westwood had simple advice for fashion addicts hit by the downturn: do it yourself!
French fashion label Cacharel celebrated its 50th anniversary as the Dow Jones index lost nearly 800 points.
I’ll let you know when this headline is changed to “Paris designers blindsided and rendered ridiculously irrelevant by economic woes”.
AP EU France Fashion Week Day 1 [ap/nyt]
Just Do The Line.
From the i-banking obit the NYT has waiting on the shelf for just such emergencies:
“I hate to use the phrase ‘masters of the universe,’ but they’re not in investment banking anymore, they’re in hedge funds,” Mr. [Tom] Wolfe [who, excuse me, owns that damn phrase and should have it hung around his neck every time the market tanks] said. And “hedge funds don’t need glass office towers. They can run $15 billion with 25 people” in the leafy suburban sanctuaries where their directors live.
“The new Wall Street,” he said, “is Greenwich, Conn.”
Next he’ll say he hates wearing white suits.
Yes, they went there: Dim LIghts, Big City [nyt]
someone died across the street
This morning I watched as a masked and gloved demo crew emptied an apartment in the building across the street. Shitty traditional furniture from decades, not centuries, ago; an emptied bookcase; a disgusting-looking twin mattress; a couple of large garbage cans full of stuff small enough to stuff in a garbage can.
All the kind of stuff left behind by someone who died old, and thrown away like the stuff of someone who died alone.
When I finally realized they were done, I thought I ought to take a picture, not enough time to open the screen on the window.
The autofocus on my phonecam caught the grid and created an unexpectedly beautiful pixellated effect, which I thought was nice. Dying alone and having your entire life summarily tossed into a landfill, not so much.
Some Days You’re The Alaskan Cyclist, And Some Days You’re The Porcupine
I’m not sure, but I think the references to porcupines and garage doors in this editorial in the Anchorage Daily News is some kind of GOP code.
Keep right, quills
I’ve never seen a porcupine sprint.
The other night I almost hit one while riding a bicycle home. Waddle and roll, old quills was in a hurry on the right side of the trail just shy of the overpass that leads to the landfill outside of Eagle River. Headlamp light caught his tail a few feet before my front tire would have. I swerved. Quills kept going in a straight line.
No dash to the safety of brush and shadow. Just straight on, huff and puff and still slo-mo.
I had a vision of a leg full of quills if I’d hit the critter and fallen on it. Having pulled quills from the swollen muzzles of yelping dogs, I’ve got no desire to feel their pain.
Quills can kill, but the porcupine never seems to mean any harm.
Good thing they’re nocturnal. They don’t move fast enough for daylight living.
“Death on dogs,” is how an acquaintance once described them. He recommended shooting them. Another old Alaskan once told me they were walking wilderness survival kits. Easy to kill with a stick. Fresh meat.
Deal death to a porcupine? Its very nature rules out fair chase. I once watched one go up a birch tree to escape a dog. The leaves grew faster than the porcupine climbed. Fortunately for both dog and porcupine, it was already out of the dog’s range by the time the dog saw it.
Another time a porcupine huddled, head tucked between front paws against a garage door as I walked up to it in the dark. It raised its head once and looked back to see if I was still there, then put its head back down. It seemed to be thinking that if it didn’t see me, I wouldn’t be there anymore.
So I left. I waited half an hour before checking to see that it was gone. I figured the porcupine needed at least that much time to get away.
— Frank Gerjevic
Why I FFFFFing Hate FFFFound
I’m sorry, but I think the deracinated, uncredited, untraceable image orgy Ffffound to be the nadir of the eye candy, surface-uber-alles design world. And the people at Things offer my contempt a half-full glass of niceness:
We’ve always known that the object in isolation is not as fascinating as the object within its cultural context. The internet provided not just a new context, but a new way of looking at existing contexts. It took a while to realise it, but the collection, presentation, and curation of objects has become an intrinsically revealing way of tracing the ins and outs of modern culture.
That’s Not-Change I Can Believe In
“Just from what little I’ve seen of [Michelle] and Mr. Obama, Sen. Obama, they’re a member of an elitist-class individual that thinks that they’re uppity,” Westmoreland said. Asked to clarify that he used the word “uppity,” Westmoreland said, “Uppity, yeah.”
-Rep. Lynn Westmoreland, Republican congressman from Georgia’s 3rd District, as quoted in The Hill
You know, I was going to make a joke about how John McCain had said, “We’re all Georgians now,” but then I realized Westmoreland is the guy could only come up with three of the Ten Commandments on The Colbert Report. And I can’t top that.
This is the classic, Southern good old boy in the building industry racism that we have in North Carolina, too. Only stupider.
No One Cares About An “Arts Policy” This Year
I’ve had some intense conversations with people who wanted to know what the US presidential candidates thought about the arts, who is advising them, and what their policy statements were on the matter. Frankly, I couldn’t have cared less at the time, and now that I know the answer, I can hardly think of a less significant or important issue on which to base a decision. What the two presidential candidates do and say in other realms–in fact, their entire governing philosophies and the way they would lead the country–will have exponentially greater impact on US’s culture, arts, and artist communities than whatever handful of legislative bullet points they throw out in a campaign.
Which incorrectly makes it sound like both candidates have even thrown out some bullet points. John McCain’s arts policy is apparently not to have one. His website doesn’t mention the arts, arts education, or federal arts organizations like the National Endowment for the Arts at all. His stated education policy makes no mention of the arts at all. I have a hard time trying to imagine an issue that would matter less to McCain and his campaign, much less to a McCain administration, and when the campaign can’t pull together a comprehensible policy for technology and the internet, an articulated arts policy seems unlikely to come during McCain’s lifetime, even.
In place of any official position of the McCain campaign, I took a look at the GOP’s 2008 Party Platform. Which turns out to be a kind of grass roots/YouTube stunt to allow everyone to write the platform together. Interactively! There are five submissions that mention the arts. One is a cutnpaste 10-point “bipartisan” position paper from Americans for the Arts.
John from Damon, TX recommends eliminating most cabinet-level government departments including the “department of veterans affairs (I think the world of our veterans, but they don’t need a cabinet position), and if you need more, take out the department of engery (they haven’t done anything use full to date). then turn our attention to social programs. Most should be eliminated over time. Grants to the fine arts should be eliminated NOW (including PBS).”
Two others mention liberal arts in school, and then there’s Stephen from Coopersburg, PA:
I would like to see martial arts added to the standard curriculum in schools, Not only because I teach Tae Kwon Do to kids age 4 & up, (and that would be a sweet job) but because it teaches them to focus, helps them with agility, and cardiovascular training, instills self confidence, dicipline, and teaches them how to overcome obsticles & fear (as well as kick Butt if needed).
I don’t see McCain’s folks improving significantly on these proposals, frankly. I think they should just go with these.
As reported on Artsjournal, Barack Obama does have an arts policy, freshly drafted by a 33-person arts advisory committee. The policy, grandly titled “A Platform In Support Of The Arts,” [pdf] closely mirrors the issues championed by the Arts Action Fund, an advocacy group and PAC associated with Americans for the Arts that’s hosting the document. It’s a tiny bundle of noncommittal platitudes and proposals [“reinvest in arts education,” create an inner city “artists corps”], expressions of support for existing programs [public/private school partnerships, the NEA], general campaign issues that impact the arts world [universal health care, US stops acting like a total dick to rest of world], and a tax code tweak proposed by Senator Leahy that lets artists donate works to museums at fair market value. That’s it. You feeling the Obamamentum yet?
The advisory committee, too, seems as slight as the platform they propose. It’s headed by the veteran producer/director George Stevens Jr., whose name you might recognize because he was an uncredited PA on two of his father’s landmark films, Giant and Shane. His own work tends toward the Kennedy Center Presents programs, celebrations of what passes for culture in Washington, DC. The other co-chair is Margo Lion, the Broadway producer behind Hairspray. Then there’s Michael Chabon, and a raft of arts industrial complex types: foundation directors, a few philanthropist/trustees, arts council and university folks. Despite the prominence of the artist tax deduction–it’s the only legislation in the proposal–there doesn’t appear to be a single person affiliated with a museum or associated with fine art.
update: poking around Americans for the Arts’ website, I found ArtsVote 2008, an attempt to raise awareness during the presidential campaign and conventions for the arts industrial complex. There’s a page with links to policy statements by all the candidates. All the candidates who responded and submitted them, anyway. Which is to say Obama has three statements. McCain, none. Also, John Baldessari made a poster.