September 14, 2009

On The Public-Sculpture Gravy Train

It's got shiny spheres, and science re-creations, and DC artists and quotes from curator and museum director friends. But it's been a few weeks now, and the only thing I can say about Blake Gopnik's mind-numbing/blowing article on Jim Sanborn is that this passage on public art is pretty damn funny:

The fame of the CIA commission "funded me for all the years since," Sanborn says. It put him on the public-sculpture gravy train. He stopped living in his scruffy studio building in Northeast Washington (it's where he met his wife, Jae Ko, a well-known local sculptor), bought a house in Georgetown, designed a home in the Shenandoahs and continued to fund his more "serious" art, such as "Atomic Time."

But lately, the commissions have dried up. Today's selection panels, he complains, go for "decorative embellishments."

Damn those panels. If only noted art historian/author Dan Brown would write a book about Washington, he could include another mention of Sanborn's work.

??!!??: Sparking Interest Within the Sphere of Art | 'Physics' May Be Most Substantive D.C. Piece in Half-Century [washingtonpost via man]

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

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first published: September 14, 2009.

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