I hate that this needed to come back: Gonzalez-Torres Forbidden Colors, 2021 —
NGL, it does not feel like a moment to celebrate, and it’ll take a lot of work for 2024 to not become the biggest dumpster fire yet.
But whether via email, commentary, hyping or buying things, many people have engaged with me, the blog, and the various projects this year, and I’m grateful for all of the thoughtful and invigorating interactions. To close out the year, here are a couple of art accomplishments in 2023 which I found satisfying. They are in roughly chronological order:
Celebrating Ellsworth Kelly’s 100th: EK 10 MAR 23 T [via]Biggest show of the year: Mural With Girl With A Pearl, obv [via]Jasper Johns’ Stolen Balls [via]Meanwhile, in this, year three of me swearing I’m not a dog painting guy: Jacques Barthélémy Delamarre Facsimile Object (D1), ‘Pompon’, obv [via]Underground Projection Room (for Rattlesnakes), 2023 [via]Proposed Katharina Grosse (PKG) for Basel, 2023 [via]The Second Deposition of Richard Prince, 2023—? [via]Happy Joan Mitchell Season T [via]
