‘Now I’m Done.’

Slice, 2020, oil on canvas, 50 x 66 1/8 in., promised gift to MoMA

Catching up on Sean Tatol’s always invigorating takes at The Manhattan Art Review, including his review of Jasper Johns’ drawings show at Matthew Marks. Which, like his previous show, includes variations on his 2020 painting, Slice, that got a lot of attention during his double retrospective.

And this line caught me off guard: “He’s apparently announced that Slice is his last painting, and as far as last works go I can’t imagine a more eloquent invocation of mortality and infinity.”

So before getting to the “Wait, what??” let’s cover the, “Yes, and”: Slice certainly is a helluva painting to end on. With themes Tatol observed, rich source images across the board, and a popping backstory that’ll keep people talking, it delivers on multiple planes at once.

2020 photo of then local boarding school student Jéan-Marc Togodgue with Slice (2020) in Johns’ studio, taken by his basketball coach, Jeff Ruskin [via]

And after its star turn in the Whitney/PMA show, Slice was made an anonymous promised gift to MoMA, where the credits for Johns’ reference images expanded in 2023 to include not just ACL doodler Jéan-Marc Togodgue and astrophysicist Margaret Geller, but all Geller’s scientific collaborators on the 32yo Slice of the Universe map she sent the artist unbidden.

Untitled, 2020, graphite, watercolor, and colored pencil on paper, 23¼ × 18¼ in. via Marks

But all that said, Wait what? I could neither imagine nor find any context in which Johns would have made such an announcement. So I asked Sean where he’d heard it. And he mentioned a post artist and editor Walter Robinson made last month to two social media platforms: “Jasper Johns (b 1930): ‘MoMA got my first work and MoMA got my last work. Now I’m done.’ A drawings survey opens at Marks on West 24th on Sept 12.”

When reached, Robinson did not say from whom he heard this, or when, but only clarified he didn’t hear it from Johns. Meanwhile, the sound of it is still ringing in my head. “Now I’m done.”

Untitled, 2019, Graphite on paper, six sheets, each: 8¼ × 6 in. via Matthew Marks

Did Johns decide that after finishing Slice? How’d that go down? How done is he? The newest drawings in the current Marks show date from 2021, the year of the anonymous gift. Is he done with making altogether? The show also includes older works that have never been seen. Has Johns moved to curating? Maybe he’s decided to focus on just revealing stuff now? Let’s start with those little guys, but there is a long list.

Manhattan Art Review: Jasper Johns – Drawings 1982-2021 – Matthew Marks – **** [19933.biz]
@walterrobinsonstudio [threads]

Previously, very much related: Taking A Knee;
Gerhard Richter Painted;
Jasper Johns’ First Flag