Triumph of the W.

So you’re saying, if you suspend habeas corpus and pre-emptively arrest hundreds of pedestrians, I’ll be able to drive my Mercedes [sic] to the Upper East Side from the Holland Tunnel in 10 minutes every day? I have to confess, it’s a seductive proposition.
[First they came for the carless, yet I did nothing…]

triumph_pataki.jpg used from reuters via yahoo

And while I’m watching the giant flag behind George Patton Pataki–It’s rippling!– I’m thinking, “gots to get me one of those 3-story high monitors.”
[Then, they came for the flatscreenless, yet I did nothing…]
Then, when the guy who plays the Giuliani-style right-wing DA on L&O starts narrating a Bush video–I’m all, ah, a slide show; the resolution on that monitor probably can’t handle full motion–the photographs seem strangely alive, with an intensified depth of field. And movement? Naw…

triumph_bush_video.jpg

Oh my hell, talk about seductive. This full-blown cult of personality film is using a more sophisticated version of the entrancing photo-animation technique developed for The Kid Stays in The Picture, the ultimate self-deluded, “so seductive who care’s how much of it’s true” Hollywood insider documentary. They’ve turned Robert Evans and Graydon Carter against themselves–and the whole celebrity-worshipping country–and made them bow to George W. and His Will.
[Then they came for the DVD-less, yet I did nothing…]
Scott Sforza, you are truly worthy to be called the Leni Riefenstahl of your generation.
[And then they came for me, and there was no one left.]
Dude, I really wish you’d skip right to making movies about fish.

How ____ would protest at the Republican Convention

Dale Peck, writer/Hatchet man: will periodically leave Soho House to “commit civil disobedience as many times as possible.” [via Gothamist]
Maer Roshan, magazine non-launcher/editor: will bombard and disorient conventiongoers with daily rundowns on the best plastic surgeons and spa treatments in town. Also, will depict attendees as big-hair-sporting, cowboy-hat-wearers. Not clear that this will be recognized as protest. [via Gawker]
Various anarcho-geeks: will ride around town on wi-fi- and gps-enabled bikes, hoping someone will text them. Ooh, you’ve got’em scared now, pal. [Eyeteeth, via waxy]

The Lord Spins in Mysterious Ways

So which way does this go? I mean, I’m a pretty religious guy from a religious, hurricane-prone state, and I can’t figure it out:
Does getting pounded by two history-making hurricanes mean God is displeased and punishing Bush and his supporters for their election year sins, OR
does it mean God’s blessing him with several weeks of high-profile disaster relief photo-ops and FEMA-distributed largesse?

How Billy Baldwin would protest at the Republican Convention

from an ongoing series:
If his behavior on my flight to Ozaka is any indication, Billy will dress like a 40-year old cop trying to go undercover at a high school.
He will sport long, greasy hair, with a ponytail on top, a la Patrick Rafter circa 1998, and a t-shirt that reads BUllSHit in foot-tall red letters. The t-shirt will be tight enough to reveal that he hasn’t been back to Equinox 76th street since he used to hit on my friend there in 1993.
He will emerge from first to walk repeatedly around the business class cabin, presumably so that we can all read his shirt. He will be careful to avoid entering the coach cabin. At customs, once he’s thrust back into gen pop, he will don a giant pair of sunglasses and keep his head down and arms folded (over his oh-so-rebellious slogan).
He will not wait for any checked luggage, but take his carry-on and disappear with a Japanese handler, presumably to shoot a pachinko commercial or some other mortgage-paying gig.

Pakistan: ‘If you need me, I’ll be in my trailer’

Steve Martin said it best: it’s all in the ti-MING. ti…MINGming.
It’s always risky shooting with locally cast talent. But after five tense days, the White House screening room erupted in fits of backslapping and high fives as the rushes showed Pakistan nailing its mark like Meryl Streep with a mustache and the bomb.
The interior ministry just announced–at midnight local time, which is 2pm in, say, Boston–the capture of a major Al Qaeda terrorist, his entourage, and his fearsome arsenal of weapons.
True, the guy’s name is “Foopie,” his entourage was his wife and children-with whom he had been living for some time in Pakistan, and his arsenal consisted of “two AK-47 rifles, plastic chemicals [huh? like caulking?], two computers, [and] computer diskettes,” and the arrest actually happened Sunday. But Scott can fix all that in post.
Besides, all they needed was an “Al Qaeda bigwig netted” hed stepping on the “Kerry slams Bush on terror ‘war'” lead this weekend; it could be any one of the terrorists in Pakistan’s Rolodex, really. And if the guy’s story’s really got legs, they can just get the nets to call him the Tanzanian Devil. [Note to self: contact TW/CNN re licensing and permissions.]
Related: White House Production Notes: Summer Blockbuster Edition

Pakistan: ‘If you need me, I’ll be in my trailer’

Steve Martin said it best: it’s all in the ti-MING. ti…MINGming.
It’s always risky shooting with locally cast talent. But after five tense days, the White House screening room erupted in fits of backslapping and high fives as the rushes showed Pakistan nailing its mark like Meryl Streep with a mustache and the bomb.
The interior ministry just announced–at midnight local time, which is 2pm in, say, Boston–the capture of a major Al Qaeda terrorist, his entourage, and his fearsome arsenal of weapons.
True, the guy’s name is “Foopie,” his entourage was his wife and children-with whom he had been living for some time in Pakistan, and his arsenal consisted of “two AK-47 rifles, plastic chemicals [huh? like caulking?], two computers, [and] computer diskettes,” and the arrest actually happened Sunday. But Scott can fix all that in post.
Besides, all they needed was an “Al Qaeda bigwig netted” hed stepping on the “Kerry slams Bush on terror ‘war'” lead this weekend; it could be any one of the terrorists in Pakistan’s Rolodex, really. And if the guy’s story’s really got legs, they can just get the nets to call him the Tanzanian Devil. [Note to self: contact TW/CNN re licensing and permissions.]
Related: White House Production Notes: Summer Blockbuster Edition

White House Production Notes: Summer Blockbuster Edition

From: Scott Sforza, Head of Production, White House Studios
To: Karl Rove, CEO,
RE: Summer Schedule
As requested, sir, an update on this summer’s production/release schedule. It’s filling out quite nicely, and there’s no doubt in anyone’s mind it’ll go well. That said, it IS a lot of work for one man. I would ask you again to rethink the NO INTERNS policy; we could really use an extra hand down here.
The Sidekick/Mentor/Villain is still causing trouble, and not testing well, either. We could finesse recasting, no problem. First, though, I recommend The Gyllenhaal Strategy: float the idea of replacing him with look-alike for the sequel. Looking good in a uniform‘s nice, but remember: we can always stuff a sock in the jumpsuit. We just need someone with a temper who knows his way around a combover. And who can swear like an oilman. [via boifromtroy]
Release date for the ‘Foreign Production’: It’s exciting to hear we’re buying the rights to a new war picture, even if sellthrough on the last one is underperforming in both domestic and foreign. Still, I have some serious reservations about the release date–“the 26, 27 or 28 of July”??
I’m know this has serious tentpole potential, but HAVE WE EVEN SEEN THE ROUGH CUT? With all due respect to the many studio execs who came back from the set saying, “This is great stuff!” and “It’ll be done on time, no problem!” I’d feel more comfortable if we had some people in the editing room for this. Never mind, I’m told it’s being taken care of. Sorry. I still have that “They’ll shower us with flowers” song stuck in my head. [via Talkingpointsmemo]
The Broadway Musical: What can I say, it’s costing more than we budgeted. I still don’t understand why we couldn’t shoot this in Toronto instead. The unions are whining, surprise surprise. Can’t wait for that scene in the sequel where we ship’em all of to Gitmo. haha. Bloomberg’s dealing with the leafblower-extortionists on the set problem, though. Sending them to the park or something. The “extras” are ready, and we’ll have a fleet of Prius’s ready to shuttle anyone who wants to see Hairspray, undetected. The set will look fabulous.

White House:: Happy Days, State Dept:: Joanie Loves Cha-Chi

This is so beyond jumping the shark. At least the shark was jumped on the main show.
Colin Powell singing YMCA in Jakarta (he was the construction worker.) is the political equivalent of a bitter, aging Erin Moran, who–realizing her series isn’t going to be renewed, and without even a glint of hope for a Charles in Charge of her own–just pushes through the script and tries to get through the week so she can cash her check and suck it up her nose. [via waxy]

GWB’s Black Box Soundstage

On Monday, the Bush-Cheney show had (yet another) location shoot in Ohio. Exec Prod. Karl Rove is guarding the script closer than a CIA agent’s identity, it appeared to be (yet another) Bush Liking Black People scene.
The production company has published some pictures from the set on their website. They reveal some useful tips for imagemakers who need to utterly transform an alcohol and drug treatment center into a TV-friendly black-box studio.
First, the basics:

  • Design backdrops with both wide shots (banner and happy collage) and tight shots (image closeups, and/or tiny banners illegible at a distance)
  • Position backdrops in line with both TV and print camera pens.
  • Wrap crowd around for alternate background, as needed
  • DON’T FORGET: NO MATTER HOW TIGHT, *BLACK PEOPLE IN THE SHOT* IT’S A DRUG AND ALCOHOL TREATMENT CENTER, AFTER ALL.
    Rarely Ideas:

  • Rig even lighting on the set; light the audience for wide shot; spot the backdrops.
  • Lay matte-black flooring on set.
  • Paint all chairs and railings matte black.
  • Add matte black screen to avoid (unwanted) up-the-skirt or bulge shots.
  • GWB’s Black Box Soundstage

    On Monday, the Bush-Cheney show had (yet another) location shoot in Ohio. Exec Prod. Karl Rove is guarding the script closer than a CIA agent’s identity, it appeared to be (yet another) Bush Liking Black People scene.
    The production company has published some pictures from the set on their website. They reveal some useful tips for imagemakers who need to utterly transform an alcohol and drug treatment center into a TV-friendly black-box studio.
    First, the basics:

  • Design backdrops with both wide shots (banner and happy collage) and tight shots (image closeups, and/or tiny banners illegible at a distance)
  • Position backdrops in line with both TV and print camera pens.
  • Wrap crowd around for alternate background, as needed
  • DON’T FORGET: NO MATTER HOW TIGHT, *BLACK PEOPLE IN THE SHOT* IT’S A DRUG AND ALCOHOL TREATMENT CENTER, AFTER ALL.
    Rarely Ideas:

  • Rig even lighting on the set; light the audience for wide shot; spot the backdrops.
  • Lay matte-black flooring on set.
  • Paint all chairs and railings matte black.
  • Add matte black screen to avoid (unwanted) up-the-skirt or bulge shots.
  • Credit Where Credit is Due

    the bush-cheney campaign site splash page

    Reagan hits his last mark, stumping for the Bush/Cheney campaign

    Love him or hate him, you’ve gotta give Karl Rove credit for pulling the plug at the optimal time. He manages 1) to divert attention from whatever new Bush administration embarassments are set to unfold this week, and 2) he figures out how to get some campaign appearances out of Reagan.
    Related: Joan Didion’s Reagan myth-puncturing essay, The Lion King, in the NYRB.
    [Update: finally, a Nader for the right wingnuts. Bush/ZombieReagan ’04 campaign site]

    Hook, Line and Sinker

    I usually confine my viewing of OLN, the Outdoor Life Network, to pen-to-pen coverage of the Professional Bull Riders Tour.
    But then, like a shiny object dancing before me, on-the-set production details for OLN’s Fishing With Roland Martin appeared on Josh Marshall’s Talkingpointsmemo:

    On Saturday, Bush and his father were to go fishing at the ranch’s bass pond with a crew from the Outdoor Life Network’s “Fishing with Roland Martin.”
    The White House approached the network about coming to film Bush, who is eager to cultivate an image as a sportsman with the millions of voters who hunt and fish. The crew was to bring its own boat for the shoot on the small pond. [emphasis added for ironic effect]

    I’d imagine Roland & Co. would need at least a month’s leadtime to put such a shoot together. Coincidentally, it’s been just over a month since White House producers–and sportsman voters–heard a report on NPR where “the hook-and-bullet crowd” voice opposition to the Bush administration’s environmental policies. Roland’s crew is joined this weekend by the NRA and conservative/moderate conservation groups mentioned in the story.
    Although manmade, Bush’s bass pond was not actually excavated for the shoot. The CSMonitor even mentions it in a WH Press Office-stocked feature on Bush’s Crawford ranch:

    A USA Today/CNN/Gallup poll shows that 55 percent of Americans believe four weeks is too long for a president to be away from Washington. Keenly aware of the image of a slough-off president – the Washington Post calculates that Bush has spent 42 percent of his presidency at vacation spots or en route – the White House refers to this as a “working” vacation. The president has planned about two trips a week to spread the gospel of “heartland values.” Last week, much of his time was taken up with the televised announcement of his stem-cell decision.
    Still, there’s no doubt the president is enjoying considerable down time. He’s gone on long, early morning walks with his wife, golfed with friends at a nearby course in Waco, fished, and jogged through canyons on his land – where he’s also building a nature walk. [emphasis added]

    The date of that article: August 14, 2001.

    Sforzian Background of The Century of The Week

    Hong Kong? or Daytona? AF1 taking off on the occasion of some sporting event or another. image: AP via yahoo.com

    It’s not political theater, even political amphitheater. It’s beyond political grandstanding, even though there are grandstands in the picture. It’s the political imagemaking equivalent of the chariot race in Ben Hur: Air Force One taking off next to Daytona International Speedway during the Daytona 500.
    Sforza knows how to set up the camera positions for the best shot, image: Reuters via yahoo.com

    And it was purely for show; GWB had already run a partial lap around the track in his motorcade before turning the gaggle of NASCAR drivers into colorful extras for his own photo op. [The composition is similar to the Thanksgiving turkey shoot in Iraq, where a 3-D environment wraps around Bush, as opposed to the less sophisticated made-from-people backdrop.] I can’t wait for a similar shot from the Republican Convention, with corporate sponsors swarming around Bush in a visual cacophany of be-logoed gear.
    Whatever your leanings, you have to be daft, numb and blind to not appreciate the near-sublime stagecraft of White House Productions’ Scott Sforza. [via NYT’s David Sanger]
    Update [via Slate’s Bryan Curtis]: in 1969 Nixon tried to pull the same sports photo op to appeal to the same demographic by choppering into the Texas-Arkansas football game. The resulting photos are positively primitive compared to Sforza’s handiwork. No DW Griffith, but it got the criticism-deflecting job done.

    My Worlds Collide: Scott Sforza Discovers Shipping Containers

    Scott Sforza parking a Coast Guard cutter for Bush's speech, image: whitehouse.gov

    No run-of-the-mill PowerPoint banners in South Carolina. No, the money shot of White House Productions’ primary mitigation show was clearly the Coast Guard cutter, positioned behind Bush’s podium.
    GWB in Charleston in front of shipping containers, image: whitehouse.gov

    Forget the boat, though, and go wide. Bush is addressing his crowd of extras in a mini-amphitheater made from shipping containers. This set is my pick for Sforzian Backdrop of The Week.
    Related: posts about how I [inexplicably heart] shipping containers

    Calling Scott Sforza

    Some schlub Dem senator falls in the forest against the Bush budget, next to an embarassing picture of a red elephant, image:AP/Yahoo.com

    To protest Bush’s 2005 budget, the party of Liberal Hollywood ignores the dark art of image manipulation (cf. White House Productions’ favorites, PowerPoint wallpaper and carefully positioned crowds of (skin)color-coordinated soldiers) in favor of some intern’s clip art.
    Let’s get one thing straight: this is not Democratic indie authenticity going up against Republican soulless studio spectacle. Just ‘cuz Karl Rove is playing Jerry Bruckheimer doesn’t mean the Dems are suddenly Steven Soderbergh; they’re the dweebs sending their darndest “accidents” to America’s Funniest Home Videos.
    Related: Scott Sforza, White House Productions. And they do indie, too.