Author: greg

More poems, this time from W. H. Auden, whose work also turned up with noted frequency. These lines, set a few blocks from my house, could have been written last week, not in 1940:

The unmentionable odour of death/Offends the September night.

Here is the poem itself, and Eric McHenry’s article on Slate about Auden and poetry during difficult times.

“The Smoke of Thought”: For the third night in a row, at around 10PM, the wind shifted, and the faint but unignorable smell of burning reached the upper east side. Searching on Google for “smoke” and “smell” brought up two interesting poets: AE Housman and Philip Larkin. I’ve seen Larkin quoted several times in the past week. Here’s an excerpt from Housman’s “A Shropshire Lad”:

Today while I am master still,
And flesh and soul, now both are strong,
Shall hale the sullen slaves along,
Before this fire of sense decay,
This smoke of thought blow clean away,
And leave with ancient night alone
The steadfast and enduring bone.

Larkin’s poem, “The Building”, contains a description of people in a hospital waiting room that could just as easily apply to New Yorkers lately: “They’re quiet. To realise/This new thing held in common makes them quiet…”

For the record, I hardly ever read poetry and know basically nothing of poets or poetry. I guess I considered it superfluous–irrelevant, even–to the practical, “real” world I saw. Sometimes it steps up to the plate, though, and nails that same reality more cleanly than 150 hours of continuous media ever could. Economy of expression.

Like other friends who regularly add to their websites, I’ve been reticent to post during the week. From the standpoint of this site, it was a fairly easy decision; this journal is meant to document a film project I re-started in July. From a personal standpoint, it’s been more difficult. After the quest to find out whether people you know are alright or not, the events of the last few days gave me pause, causing me to question the value or importance or priority of the things that occupied my time and attention. An architect friend wrote of being told architects weren’t needed right now; Fran Liebowitz just mentioned on NPR that she’s a “luxury item,” unneeded in a situation like this. How needed is a documentary about farmers and rural small businessmen? Finally, the reality of the last few days made the question of posting moot; any idea of watching my footage was displaced by watching the news. Any attempt to think about the film was thwarted by thoughts of more immediate surroundings, people, and things.

That said, architecture, writing, filmmaking, art–these are inextricable elements of the culture and civilization we live in; the desire to participate in this culture, to contribute to it, to create something that will connect with others and extend/live beyond us doesn’t change in a day. In the Times this week, more than one image of the rescue operation reminded me of the work of photographer, Andreas Gursky. The ephemeral work of Gabriel Orozco also came to mind, specifically this photo of the NY skyline. [Note: read the review linked there, too. interesting] The types of activities that may momentarily seem superfluous may also be the ones that gauge the health of the civilization we enjoy and (now) defend.

The primacy of family, friendships, inter-human relationships also survived the events this week. Exploring these ties and what shapes and forms personal relationships take both subject and object of the film project I’m working on. If anything, the experience of searching out friends and colleagues, of responding to messages and emails from concerned people around the world, and the unexpected generosity and awareness New Yorkers show each other on the streets all steel my resolve to continue the film project. Stay tuned, and thank you again for your concern, feedback, interest and questions.

11:00AM (EST) I’m fine, family in NYC are fine. my wife’s stepmother was at work on Broad Street, and is fine, temporarily out of contact.

Email now set to download every minute. the last people we had on our first list from church- the ones who live in Battery Park City and work at the WTC- turned up in New Jersey. Most of the afternoon spent coordinating blood donors and helping set up a shelter at the church gym; it seems under-used, as most people have found a way home or a place to stay. I’ve read it in other places, but AIM was the lifeline for us to find out who was alright and to let people know we’re alright, too.

Other than that, the thing I don’t hear or read is how odd it was that everyone was walking all over the city today. Few cars, and every street looked like a concert or major event had just let out down the block. Very civil, yet somehow very unsettling; something was definitely not right.

SCENE: Bedroom. Night. Streetlamp right outside the window prevents total darkness. Awareness of my feet piercing the plane at the end of the bed. No comforter? There’s a sheet, and it’s tucked in. Something alights on my toes. Brushes against them. A butterfly? No, of course not. Damn you, Vladimir Nabokov… No, an Other’s toes. We’re sleeping close enough to brush toes. The mattress doesn’t have a giant seam running right down the middle. Time? Four o’clock in the morning. I’m wide awake. The role of the Bad Dream in this scene will be played by a thirteen-hour trip from normally-six-hours-away France. Well, at least there’s a DSL connection here. Vacation’s over.

Greetings from France. I promised at the start of this log that I would generally avoid travelogues/journals and stick to documenting the process of making a documentary film, but since I ended up not bringing any tapes with me on our vacation in France, the project is on vacation as well. That said, it’s not out of mind. There are a few things that we’ve seen here that stick in my mind and will probably find their way into the project/story in some way: