UPDATE: NO WAY, says Lisa Kline’s publicist. Check out the update at the bottom of the post. UPDATE UPDATE: Now the NY Times has moved the Two Lisa Klines Theory ball down the field.
The payee for several of the fashion-related “campaign accessories” receipts included in this $150,000 Palin Shopping Spree is listed as Lisa L Kine of New York City. So far, I haven’t found any such person at the address given in the report.
But there is Lisa Kline, whose Google result reads, “Lisa Kline boutique clothing has hot designer jeans and dress shirts inspired by celebrity fashion style. High-end fashion in Beverly Hills…” Indeed, Lisa Kline boutique is on Robertson Blvd, the, Ground Zero [sic] of celebrity fashion.
Kline also just so happens to be the source of the leopard-print swimsuit Paris Hilton wore in her ad lampooning John McCain after he criticized Obama as a “celebrity.” Please, please let this be the same person. NO WAY UPDATE:
I forwarded this Vimeo clip from Lisa Kline’s MySpace page to the owners of Pacifier, the Minneapolis baby store. They say they’re “pretty sure” that is the Republican Party operative who came in and purchased Trig Palin’s outfit a few hours before Sarah Palin’s speech at the GOP Convention.
[mini-doc] – Lisa Kline from [city of others] on Vimeo.
Let that sink in for a minute. I have a phoneathon for the kid’s preschool to attend. UPDATE: Lisa Kline says NO WAY, she’s not Lisa Kline. Or at least Lisa Kline’s publicist says Lisa Kline isn’t Lisa Kline. I spoke with Lisa Kline of Beverly Hills’ publicist, who said that, while she wishes she could take the publicity, it’s not her Lisa Kline. In fact, her Lisa Kline has never even been to Minneapolis, and she couldn’t have dressed Sarah Palin because Lisa Kline boutique doesn’t sell suits. Also, if I wanted, she could suggest some great items from Lisa Kline’s baby store on Robertson for little Trig Palin for my story. So I guess that clears that up.
I also just spoke with Jon from Pacifier again, and he’s still pretty sure that the woman he sold Trig’s outfit to looks and sounds like Beverly Hills Lisa in her MySpace video. I guess we’ll wait for the real [sic] Lisa Kline to step forward and accept her accolades from the world’s media. update update:: it’s not 100% yet, but the NY Times’ Caucus Blog makes a rather persuasive, data-based case that there are two Lisa Klines, one for Paris Hilton, and an entirely other one for Sarah Palin. They have different middle initials and everything.
Much less get me one of thesehere sweet Obama banners.
After almost a week of daily trips past this sign/awning company with giant vinyl Obama – HOPE banners by Shepherd Fairey on either side, I resolved to scale the building and steal them. One, at least one.
Alas, my diabolical plan was thwarted by the friendly guy laughing and waving at me as I snapped a photo–and the two hungry kids in the backseat. Oh well. And anyway, it looks like there’s a HopeCam perched above it.
What looked like a cement plant or oil refinery–but what obviously was neither–on a jet-lag-early walk through downtown Los Angeles turned out to be Coop Himmelblau’s High School for the Performing Arts, an aggressively industrial design that will serve as the eastern gateway to a massive cultural redevelopment plan in the works for Grand Avenue.
The original workaday design for a much-needed high school was given the boot, replaced by the PA school, with a huge event space, at the behest of Eli Broad, noted philanthropist.
Recently, Broad has been noted for not giving away quite enough of his billions of dollars or contemporary artworks as others think he should. The Coop school is significantly over budget and behind schedule, and critics complain that the LA School District is stuck footing the bill. [The project has already blown through the figures in Nicolai Ouroussoff’s 2003 article on the project, supposedly reaching over $200 million.]
That prow-like tower will be sweet, though, no doubt an inspiration to thousands of future kings of the world. My favorite part about the building is the perforated, skeletal tower’s dramatic contrast/challenge to the cliff-like solidity of Rafael Moneo’s LA Cathedral and its bell tower. I’m not sure if freeway appeal is the most important priority for LA’s high schools, but this one sure has it.
re: The 53 Places to Go in 2008
I was intrigued as the next guy by the list of 53 Places we’re supposed to go in 2008, then I realized that almost without exception, the “reason” to go is the opening at long last of that destination’s first “luxury” accommodations. Which seems about the dumbest reason I can think of for choosing where to travel.
I started pulling out all the quotes, Zagat-style, but I got so bored, I quit around 40. You get the idea, though. And you have to admit, those exceptions are rather awesome: who needs an Aman Resort when you have “flower bloggers” and “death squads”?
Just a couple of photos I took while in Kyoto and Hong Kong last week:
The Third Eye: Olafur Eliasson’s installations in the world’s Louis Vuitton windows. Here’s Hong Kong, which required three to fill it up:
A vintage mid-century Japanese prefab house that looks surprisingly modern these days, and increasingly rare: post-war buildings don’t tend to stick around in Japan this long:
I rather impulsively bought an ironing board at Muji, but with no practical way to take it home, I ended up leaving it at the hotel. It was a damn fine-looking ironing board, though, let me tell you.
I mention it because the same hoarding impulse struck me when I saw this eminently restorable black lacquer-finish credenza on the street in Kyoto. The backside was gorgeous, actually. Somehow, I managed to think through–and abandon–any ideas for shipping this bad boy before dragging it across the street to the hotel.
Michael Weiss’s reading of the crypto-Republican subtext of John Hughes’ 80’s teen films seems remarkably tone deaf, even to someone who was growing up as a clueless cultural Republican teenager at the time.
On the other hand, I don’t know what could be more depressing than to realize the genius behind Sixteen Candles is also behind Beethovens 1-5. Oh wait, I do know: that there are potentially four more Beethovens left. The Political Conservatism of John Hughes [slate]
So Olafur Eliasson’s work includes many references to the work of Buckminster Fuller, especially to geodesic domes. There are some hanging on the wall right next to me, in fact.
Turns out thanks to the work of a former student/collaborator of Fuller, Einarr Thorstein, the Icelandic power company used geodesic domes as their standard architectural form. They now dot the country, situated on geothermal wellpoints and along pipelines.
AND there’s a double dome house [pictured] in a Reykjavik housing development. Down the street is a double pyramid house, too; otherwise, the place looks like Fullterton, California circa 1980.
One thing that most people notice on arrival in Iceland is the uniformly modernist architecture. It looks like the whole country was imported as flatpack and built in about six weeks–sometime in the mid-80’s.
There’s a little bit of frontier town utilitarianism, a little Scandinavian modernism, and a little eastern bloc uniformity, plus a little Bermudian/Atlantic island nation colored roof fixation.
What stands out? The Kentucky Fried Chickens. They’re everywhere, and they all seem to have relatively innovative/eyecatching architecture. Finally, after seeing this sleek, anthacite-panelled example in Keflavik, I had to start snapping pictures.
Inside, there was very nice clerestory lighting over the cash registers and the indoor playground. The bathrooms were high-end euro-trendy, and all the interior concrete uses the woodgrain from the poured-in-place forms to very nice effect.
The designer in The Incredibles was named Edna, not Eve. And though she does ressemble her, Edna’s voice was done by the writer/director Brad Bird, not Linda Hunt. Linda Hunt was the willow tree in Pocahontas, though, but I can’t imagine you’d learn that in a Pixar show.
Somebody has some ‘splaining to do. It’s A Pixar World, We’re Just Living In It [nyt]
I’ve been crunching on an offline deadline, and I’ve barely even read these, much less thought and posted about them:
How to Make a Movie About 9/11? Carefully: Unfortunately, careful isn’t usually the stuff of great Hollywood drama, but of compromised, templated biopics. As for “the most basic creative dilemma” being whether to show the planes hitting the towers, this footage, this imagery was arbitrarily sacralized so quickly, this taboo theology has accreted on it. The media equivalent of The Footprints, it’s an unsuitable vessel for the emotions and memories and eventual understanding of September 11th.
On the other hand, The Great New Wonderful, directed by Danny Leiner, sounds promising. It’s set well after the Sept. 11th attacks, which is far more interesting, uncharted (in film) emotional territory. Plus, he did Harold and Kumar Go to White Castle.
Hollywood Welcomes New Crop of Moguls: Always on the lookout for a crop of new somethings, Sharon Waxman finds people who are trying to make small fortunes in the film business using their big fortunes from elsewhere. A business model after my own heart. Now, if I only owned the Mavericks…
question: is the URL in the first story intentionally 20atta.html? Because the URL in the second is 19rich.html. Just asking….